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20130115
20130123
Search Results 0 to 11 of about 12 (some duplicates have been removed)
of the mlk research and education institute at stanford. he joins us tonight from colorado. always good to have you back on this program. >> great to be with you. tavis: at the king day to you. what do you make of the fact that, on this day, we do not just celebrate the legacy and life of dr. king, but the first african-american president inaugurated for the second time? >> there is so much to celebrate on this day and so much to remember about the part of king's dream that has not been fulfilled. particularly the issue of poverty. there are so many things that make us thankful that the civil- rights reforms were achieved. i think it is important, particularly on this day, to remember that, if king were around, he would be pushing us to deal with that have -- that pestering issue of poverty. tavis: why is it that you think that, with all the evidence supporting the notion that pozner -- the poverty is threatening our democracy, it is a matter of national security, one out of two americans are either in or near poverty, the younger you are, the more likely you are to be in poverty, these
in massachusetts, he and i when we first got together, he was all about blues. he gave me an entire education, really, along witmy brother, allen, who was a blues singer until he died. that and the sort of brazilian, afro-cuban, caribbean connection, those were really my main sources. that is what i was interested in listening to, and that is what i wanted to sound like. there has been this thing about white people stealing black music. i think there is no doubt about that, but there are also white musicians, eric clapton, ry cooder, phil collins, you mentioned, many, many players who were just brought up on it and loved black music. they just want to sound that way. when i sit down and think, that is what comes out. that is what i am trying to emulate. marvin gaye, sam cooke, huge giants and people who are listen to, just cut the debt linked as a kid, all that mt time -- just studied at length as a kid. that is not the case now for kids. it is all shattered to smithereens. you are distracted so frequently, you don't get a chance to really listen and reflect. that marvin gaye approved of my -
is high amongst the youth. so we continue to do peace education amongst young people, we're doing leadership with girls. because the one thing i keep saying to the young women and to my colleagues, we've left a legacy, president sirleaf is leaving a legacy, but all of those legacies will only be a legacy if we have young women to walk in our shoes when we leave the stage. so that's the kind of work that we do now. beyond that, we're using our experiences from liberia into other countries. a few years ago we conducted a nonviolence campaign during sierra leone's elections. for the first time my group and i have organized something we called the first-ever west african women's elections observation mission. so we're having women from all over west africa go to observe liberia's elections. tavis: i love coming to work every day. i love coming to this studio every day, because i never know what icon and what great artist, what great humanitarian i'm going to meet, but it's not often that i just see courage walk up in this studio, courage just walk up in this building. doesn't happen e
Search Results 0 to 11 of about 12 (some duplicates have been removed)